NEWEST RELEASES
Guillotine Gate: "Off With Their He-, Just Kidding.” Gorepig's Newest Single
Out of the gate and into the slaughter, that’s the motto of Jonesboro, Arkansas's very own Gorepig.
Picture this:
You plug in your ear buds and click on what looks to be a brand new release. Ah, deathcore, the spice of life. Then, as you think you’re about to experience monotony, something happens. An unnatural intensity courses through your veins; you find your feet moving, your fingers drumming, and suddenly you’re having your own personal circle pit in the gym, or the mall, or wherever you decided was an appropriate setting to give this single a chance. And damn, are you glad you did.
That, friends, is what it feels like to listen to Gorepig.
That, friends, is what it feels like to listen to Gorepig.
Blending nostalgic deathcore riffs and energy rich nu-metal, Gorepig has brought excitement back to the art of making music. An electrifying feeling can be experienced when giving songs like ‘Bodies in the Trough’ a listen, as well as their most recent release ‘Guillotine Gate’. This track is surreal for a variety of reasons. According to the band, they put ‘anything and everything that has ever inspired [them]” into this track. It is also the first collaborative effort featuring the band’s newest member, George; it was the match in the haystack that ignited the bond these boys now share with their new addition, and the cohesiveness of the song is a pure example of it.
Gorepig’s “Guillotine Gate” opens with a drum beat that instantly recalls an old-school nu-metal track; it truly gets your heart pumping. A rhythmic riff pours in, and immediately it’s off to the races. Cody Lambert’s tone is superb throughout the entire song; his vocals are truly frightening, in the best way possible. There’s something almost mystical about the energy created as the track progresses; the dynamic shifts and sudden drop-offs create an exciting experience that leaves nothing to be desired.
Saving Vice to Begin Tour with Resider, Roderik
Vermont metalcore ensemble Saving Vice is embarking on tour this week, and it is predicted to leave you spellbound. Joining them are New York’s rising heavy hitters Roderik alongside California’s Resider, who will be making their long-awaited East Coast debut. Both Saving Vice and Resider are on the Core Collective Talent roster, creating buzz among both staff, fans and supporters of Core.
The Dream Eater tour is poised to begin a 16 date East Coast tour in familiar haunts such as Virginia Beach, Atlanta, GA, and all the way out to Cape Girardeau, MO. Bringing their unique brand of dark, thoughtful metalcore to the masses, Saving Vice are no strangers to getting the crowds 2-stepping. After their thunderous debut in 2017, the boys haven’t let off the gas yet.
The music speaks for itself; looking back to their 2018 release, Colder Than Dark, you can hear there’s something special about these guys. Fast forward to 2020, when they released a killer album, Hello There, along with a phenomenal cover of Motionless in White’s ‘Another Life’. Looking to the future yet again, they put out Good Days, Dead Eyes, and really captured the essence of what metalcore is: a symphony of harsh, pissed off riffs and growls, mixed with easily connectable clean vocals that stick with listeners long after the song ends.
Now, their most recent release, The Shadow, is doing wonders, continuing to gain momentum and banging its way through car speakers across the country.
The band brings an almost palpable aura of electricity. You feel it, coming in the air, as Phil Collins would say (followed by “oh lord’, because you know it’s going to be a great show).
The only question left now is: which show are you hitting?
Tickets are available here.
Follow Saving Vice on their socials so you don’t miss a thing.
Provenance releases ‘Broken Bonds’
To be so young, Massachusetts band Provenance has already made a significant impact both in their hometown and beyond. Formed in 2025, the band has quickly established itself as a group with a message—and the confidence to make sure it is heard.
Not too long ago, the band put out ‘Show Your Teeth’, a grinding, fierce track that embodies a very no-frills, no bullshit attitude that’s easy to get behind.
Upon listening to "Broken Bonds," it becomes immediately clear that someone, somewhere, has been hurt. The band shared that guitarist DeAundre Smith primarily wrote the track about his relationship with his father. As depicted in the music video, the song brings to the forefront the struggle of fighting against your own nature, and resisting what society—or those closest to you—expects you to be.
The feelings of being disappointed, or disrespected are experiences most people, myself included, can relate to. That anger, frustration, and sadness are fused together through DeAundre's powerful guitar work and the intense, captivating vocals of frontman Jake Aveyard. Meanwhile, Kyle Ford on drums and Corey Muchata on bass provide a rock-solid rhythm section, giving listeners something solid to bang their heads to.
To say I am excited about where these boys are headed is an understatement, and wish them nothing but the best as part of the Core Collective Talent Family.
Stay up to date with Provenance on social media, watch the official music video, and stream “Broken Bonds” alongside the band's full discography using the links below.
Photos courtesy of Provenance's official social media channels.
Remnants Release Bend//Break
Remnants, the five piece combo (extra crispy), from Indianapolis, IN has proved yet again they can in fact, stand with the best of them, with their newest single Bend//Break. And as if the track wasn't already sick enough, it was co-written by Myles Clayborn of Left on Red—another incredible band that just so happens to also be part of the Core Collective family.
Opening with a vicious “blegh’”, Bend//Break drills into your eardrums mercilessly. The opening lyrics, provided by Paul Duplessie, echo out like a warning shot, telling you to shift to the next gear, and move your damned feet. And, practically oozing swagger, the ensemble proceeds to break down whatever walls you have up, crashing into them with a familiar yet undeniably powerful force you can’t run away from. The good thing is, if you’ve listened to their previous hits, you're familiar with their particular brand of heavy riffs and melodic choruses.
The band has been on a roll since prior releases of GAMES and C’est La Vie (feat. Alex Peterson of Takers), and with the promise of a full length album in Fall of this year, Remnants is simply tuned for success.
They have the right formula: crushing drums and bass that wash over you like an unstoppable wave, captivating guitar work from Aaron Myers and Rory Hill, and absolutely, undeniably fleshed out and ferocious vocals from Paul. Combined, these elements invite the listener on the best trip possible; one that promises to move you, physically, emotionally or otherwise.
Visit www.remnantsband.com for upcoming show dates and tours!
Who They Fear’s Newest Drop, Whiteout
Have you ever felt like you don’t belong? Like the world is working against you? And you have to fight with everything you have, never relenting, just to hold your head up?
Well, that, my friends, is what Whiteout is about, and Who They Fear may have just cracked the code.
Vocalist Michael Dunn is no stranger to this feeling, hence the intricate work he and his bandmates have laid at our feet. Do me a favor: go listen to it, maybe more than once, then come back.
Now that the picture has successfully been ingrained into your brains, let’s discuss. Who They Fear has triumphantly touched a nerve; one that is frayed by struggle, tenacity, and self reflection— all while staying relevant, honest and vulnerable. The track, as Dunn states, is partially inspired by and takes influence from Erra, and is dissimilar to past works WTF has put out. As well as this, he shares that he took a different, more personal approach to writing this particular piece. Dunn goes on to say that he used unique “elements and phasing” unlike that which he has used previously. And that much, and more, is evident in the structure, depth and overall vibe of the song, and is something the whole band should be proud of.
Over the span of three years, from 2023 to 2026, Who They Fear have played up and down the Mid-Atlantic, sharing the stage with the likes of well known acts such as Famous Last Words, Crown the Empire, Veil of Maya, and many others. Now, 4 banging singles later, after inking their names on a deal with Overshadow Records, the group shows no signs of stopping now.
Catch them at an upcoming show, connect with them on social media, and stream their music on your preferred platform using the links below.
6/13 • Rock On The Hill — Hanover, PA
6/14 • Moon Tavern — Scranton, PA
7/10 • Gettysburg Bikeweek — Gettysburg, PA
Royal Hearts, Saltwound’s Spencer Timmons Release “Consumed”
Florida post-hardcore. You hear that phrase and immediately think of the greats: As Friends Rust, Glasseater, Makari. But beneath the surface lies an abundance of talent still waiting to be discovered, and Royal Hearts fits the bill perfectly.
Formed in mid-2019, the band consists of Ryan Camuto (vocals), Michael Summers (drums, co-vocals), Javier Sardinas (guitar), and Nelson Tran (bass). They quickly made a name for themselves in Fort Lauderdale and its surrounding areas. Not letting off the gas, Royal Hearts then moved beyond Florida and gained notoriety in the ever-growing, expansive ‘scene’ that expands across the US. After being added to the Core Collective roster, the group got to work giving in their all on stage and in the recording booth.
The song begins with a swelling barrage of melancholy clean vocals and guitar riffs that engulf the listener in an echo chamber—the good kind. Moments later, that chamber is shattered by crushing drums from Summers and aggressive screams from both Summers and Camuto.
Halfway through, Spencer enters the fold, bringing an extra layer of bite that helps drive the track forward and pull the listener deeper into its groove—pun intended.
Royal Hearts has played shows across the country, sharing stages with the likes of Crown The Empire, Blessthefall, Famous Last Words, and many others. Their hard work and dedication to both the scene and their craft are evident in the passion behind each release, and "Consumed" is no exception.
"Consumed" is a declaration of intensity and magnitude that demands to be heard. If this track is any indication of what's to come, I look forward to hearing more from Royal Hearts.
You can see for yourself by clicking on the link below
The Art of Deception Unleash ‘Glassweight’
“Make music and share it with the world”.
Seems like a pretty simple mission; lyrics are crafted, tones are selected, drum fills added, mix, master, done. Easy, right?
Absolutely not.
There’s craftsmanship, careful planning, multiple takes and recordings played over and over to find the best quality; meticulous attention to the placement and purpose of each note, each riff, each drum beat.
And the results? A spectacular, movement-inducing song from PA’s The Art of Deception.
This release is also full of artist growth and familiarity. Per the band, ‘Glassweight’ presents the use of clean vocals, a feat they have not done since their 2018 sophomore EP Searching for An Escape. A wise choice indeed. The band also filmed and edited the accompanying music video in house, taking a grounded and personal approach to the art form, and the hard work and message shines through.
The Art of Deception has made a significant effort to release something impactful, relevant, and pleasing to the ear. With “Glassweight,” I feel they have more than succeeded.
“Further” and Further to the Goal: Omen Skye Drop Another Banger
Baby, there must be something in the water in Maryland.
If you haven't figured it out yet, Omen//Skye is here to stay. They've already proven it by creating a sound that's as intense as it is immersive. Their ability to blend crushing heaviness with atmosphere and depth—without sacrificing precision or accessibility—puts them on par with some of the underground scene's best and brightest.
They released "Cry the White Lie" back in May, a crushing track packed with massive riffs and a chorus that's impossible not to sing along to.
Now, they're back with "Further," a song that delivers on every front. Spooky, otherworldly, occult—these are just a few words that come to mind. When they say, "Go further with me...," they mean it. And it isn't just a short trip ‘into the unknown’ (this ain’t Frozen). It's a relentless pursuit of knowledge despite— or perhaps purely out of spite— fear, doubt, and uncertainty. The song invites listeners to step into the shadows and admit what we all know to be true: part of you likes it here.
The track opens with a blood-curdling scream from vocalist Nick Troisi before launching into lyrics that confront the danger and overwhelming scale of venturing into the depths, seeking understanding. It's an invitation to embrace possibility without shame and emerge transformed by the experience.
Safe to say, I am impressed. Keep it up, boys.
“What It’s Like to Change?” We’ll Let You Know: Featherweight Review
Familiar with both emotional authenticity and technical prowess, Featherweight doesn’t shy away from the tough feelings that can plague our hearts and cloud our minds. With their newest single ‘What It’s Like to Change’, the band dives further into those feelings of self-doubt, and being vulnerable in an otherwise unwelcoming space.
Hailing from Akron, Ohio, the metalcore ensemble got to work early on creating an impressive repertoire of songs to captivate and inspire both movement and introspection. ‘In Ember’ and ‘Hardship Always Brings a Friend’ come highly recommended if you want to see exactly what I’m talking about. But back to business.
“What It’s Like to Change” captures that gnawing feeling of not being good enough; that ‘what if…?” that keeps you up at night, or wakes you up with a hefty serving of “you aren’t enough.” But it's not all bad. Featherweight uses the lyrics to define both these feelings, and those that represent not giving up, choosing to want more for yourself. That is something relatable in a way that transcends words. Well done.
Keep up with Featherweight by following their social media channels, streaming their music, and catching them at one of their upcoming live shows to experience the energy firsthand.
Who They Fear Make a Mark with “Colorless Sky”
Who The Fear, an ensemble act from Maryland, is more than familiar with creating allure on stage. Between the moody lighting, background reverb and emotional clean vocals, coupled with vicious screams of course, the boys know how to make an impact.
With “Colorless Sky”, Who They Fear have yet again proven what fans know to be true: they are something special. Having released five new singles over the past few months, the band has been busy creating a new era for fans to appreciate, and fresh material for longtime fans to sink their teeth into. Vocalist Mikey Dunn states: “Out of every song on this EP, this song is truly the one that has the most amount of soul put into it”. The emotion is clear, the growth is evident, and, as a long time fan of Who They Fear, it excites me to see such profound work coming from this band.
The opening harmony is sick, and captures your attention immediately. This song scratches the brain. It’s well done, it’s captivating and dramatic, without being excessive. The clean vocals really shine throughout, coming in strong and giving the listener something to cling to while the heavier vocals land with an even greater impact. One can appreciate the atmospheric aspects of the track, something that is easy to hear thanks to a conscious choice from the band to not go overboard with complicated riffs and olympic worthy screams. Not lacking, not falling behind— simply being.
You can experience “Colorless Sky” for yourself here. And be sure to catch Who They Fear along the Colorless Sky Tour - September 1st through September 6th, as well as Iron and Ink Fest - October 3rd. Tickets available here.
Royal Hearts Stays on Target with Scars Won’t Fade
No strangers to excitement, tearing it up in the booth, and winning over crowds, Royal Hearts have already established themselves as a talented, creative, and, simply put, damn good band.
As for Scars Won't Fade, the track opens a conversation about the juxtaposition between giving love and receiving it. Vocalist Ryan Camuto describes it as a "shift," and that much is evident both lyrically and sonically. The song twists and turns like an intense yet comforting blanket of understanding—with a punch packed into it, of course.
The song begins with a slow, "calm before the storm" build-up before Camuto's powerhouse screams pull you in even further. The guitars and drums lock together to create a swirling combination that keeps your attention from start to finish. The track is dynamic without becoming overwhelming, allowing every moment to breathe. And the breakdown? It's nasty—exactly the kind of moment that'll have you pushing your friends around in the pit.
As someone who listens to a wide variety of heavy music, including quick, punchy hardcore, something I really appreciate is Royal Hearts' ability to tell a cogent and meaningful story without taking a long time to do so. The band keeps things concise while still giving an emotional narrative that sticks with you.
Overall, Royal Hearts have impressed me once again with their balance, creative vision, and ability to deliver a profound message without overwhelming the listener. Scars Won't Fade is another strong step towards impressing the masses, and towards proving why they're worth your time and attention.
Mark Me as a ‘Fall Risk’: Provenance’s Latest
The band with a lot to say, and the tenacity to back it up. A young, fresh, exciting ensemble that has once again impressed fans and earned top marks, all while maintaining that slight hint of, for lack of a better word, ‘screw you’.
‘Fall Risk’ is just the latest of a string of well-done tracks put together by Provenance, a fledgling band from Mass whose aggression, cutthroat lyrics and sickening breakdowns make a splash whenever you hit play.
"Loyal to nothing but lust, snuffing out love". Ah yes, that feeling. Raise your hand if you’ve ever been hurt by someone you love. Perfect, because it seems that Provenance has just the remedy. ‘Fall Risk’ is fast-paced, two-step inspiring, and head banging inducing. Crushing drums and pounding lyrics drag you to your feet and force you to move. If you’re looking for a track to throw yourself around to, the boys in Provenance have you covered.
Provenance has done it again folks, and the hope is that they won’t let off the gas any time soon.
Follow Provenance on their socials, and listen to Fall Risk here.
Upcoming Shows:
September 21st, Manchester NH @ Jewel Music Venue
Left on Red Unleash 'Traumadol'
Who doesn’t love a band that can do it all? Between writing and recording their own tunes, and making their own artwork, Left on Red has made a clear, impossible to miss impression on modern metalcore fans across the country. They’ve more than proven their worth while touring with likes of metalcore royalty like Fight From Within and Heartsick.
Now, they have some new material to share with the masses, and it does not disappoint. The band shared ‘Traumadol’ with fans on Friday, and already it’s a fan favorite. It is a track with lyrics, reverb and vocals reminiscent of titans like The Home Team or Sleep Theory, but with Left’s signature bite, and a rap after the bridge just as an extra treat. The studio was a kitchen, and Left on Red, Alborn and Discrepancies were absolutely cooking.
When asked about the message of the song, the band relayed that “Traumadol is about the fine line between feeling better and just not feeling anything. When you’ve been hurting for so long,
numbness can start to feel like happiness.” Mental health is a common topic of discussion in this genre, and those feelings of numbness, the longing to be better, to turn it off (Vampire Diaries style) and simply be, is a familiar desire many people, fans and musicians alike, have experienced in one way or another.
The juxtaposition of the softer clean vocals and the sharpness of the later verses was a welcome experience. Justin Taylor (Alborn) exhibited a raw second verse dripping in realness and resolve that can easily be appreciated. The fading in and out of the synthesizers was superb. “Tramadol” is a radio-worthy song with enough attitude to stay true to Left on Red’s personality and mission as a band, while encouraging new fans to hop abroad.
Follow Left on Red at https://www.leftonredcomo.com/
You can see Left on Red currently on the "Everywhere But Your Town Tour", with two weeks remaining Supporting Resider and Who They Fear
8/25 - FAIRFIELD, OH @ Swine City Brewing
8/26 - AKRON, OH @ Vortex
8/28 - ROANOKE, VA @ The Spot
8/29 - WILMINGTON, DE @ Bar XIII
9/1 - CHARLOTTE, NC @ Milestone Club
9/2 - RALEIGH, NC Chapel Of Bones
9/4 - OWENSBORO, KY @ Escape Today
9/5 - WAPAKONETA, OH @ Feastival
9/6 EVANSVILLE, IN @ Six Strings
Remnants Take Us “Further Below”: A Review
If you aren’t in your feels after listening to Remnants’ newest single, you need your pulse checked.
That’s it. That’s the review.
(Kidding of course). The Indianapolis-based band has created yet another diamond in the rough with their most recent release. Heavy when it needs to be, but calm and reflective to give the listener free fall worthy verses and choruses to hold onto. The opening drumbeat is immediately ear-catching; it ropes you in and keeps your attention. Some of the decisions made on this track, from the way the clean vocals rise and fall in key, to the easy-to-follow shredding towards the end of the song that tapers off, making hitting that replay button effortless.
When asked, Remnants relayed that ‘Further Below’ is a track that takes a stab at exploring the “struggle and desperation of navigating the systems that we were born into.” Moreover, it highlights the work needed to remove oneself from the burden of that incessant need to belong. We all have a fear of what’s to come, but Remnants, with help from Kody Archer (Midwinter, Dreamwalker) and Myles Clayborne (Left On Red), are challenging us to turn that “cyclical trauma” into something useful, something good.
Thought provoking, insightful, Remnants has struck a chord, creating a carefully crafted balance of clean vocals and heavy, well executed screams. What more can be said about ‘Further Below’, besides that it is a fantastic addition to Remnants’ repertoire, and a standout single to boot?
Go listen for yourself and find out.
G3T WR3KD Release BLOODL3TING
“Heartaches & Breakdowns, you’ll feel that anger. The kind that just bleeds all over.” — G3T WR3KD.
In other words, heartache and pain are the name of the game, and G3T WR3KD have made their play.
Bloodborne, the popular video game that has inspired both great triumph and great frustration, served as a major source of inspiration for the lyrics, along with the influence of metalcore giants Evergreen Terrace. Brandon Hoagland (guitar/vocals) goes on to say that “BLOODL3TTING” is, by far, his favorite song the band has written so far.
Leaning even further into the theme, Michael Sampson (vocalist) sums it up perfectly: “Love is fleeting, and the pain of it is yours to hold on to or let it go.”
As for the song itself, “BLOODL3TTING” is a perfectly pleasant track that’s easy to enjoy and feels ready-made for a playlist. While the band could have taken the ‘over the top’ route and pushed for something more technically demanding or overly dynamic, they instead chose to keep things relatively simple. Personally, I appreciate that. There’s something to be said for knowing when not to overdo it.
The clean vocals are easy to follow, a nice fitting component of the track, and help reinforce the emotional weight of the lyrics without overpowering the heavier elements. The result is a song that wears its heartache openly on its sleeve, while maintaining accessibility.
Fight From Within: “The End of My Rope” — A Review
Tired? Pissed off? Over it? Dare I say, at the end of your rope?
Well so is Fight From Within, so you’re not alone.
The boys are back yet again with a guaranteed smash—something to crash into your ear drums and prompt you to start swinging (safely, of course). Fight From Within have been making their presence known for years, with relentless touring schedules, phenomenal showmanship, and a thirst to make an impact on and off stage. Not to mention foot-stomping, head-banging tracks like “Talk is Cheap,” “2 v 2,” and now, “The End of My Rope.”
The band says this new track marks a new era for them. They recently started working with former Bury Your Dead guitarist Eric Ellis, as well as Liquid Studio’s Daniel Thabet. Listening to the band’s repertoire, you can hear the changes—gradual shifts in heaviness, innovative synths, and continual vocal growth from longtime bassist/vocalist David Pierson.
The song starts with a guitar riff from Tim McCullough, a chilling, droning prelude—like the eerie sound before a jumpscare at a carnival (in the best way possible). Christian Smith’s drums come crashing in and give your feet a rhythm to dance to, and it’s only a matter of time before Mikey Haye’s powerful scream echoes over the track—savage and ever-present. Fans can expect a signature Fight-style two-step moment, as well as a breakdown to run and tell your friends about.
Fight From Within is on a generational run. They’ve come from the trenches, climbed the mountain, crossed the river—everything. And the fruits of the labor remain ripe and desirable. Fight’s music gives you something to look forward to; their shows feel like a place to call home.
Suffer Through, Ocean of Illusions Unleash “I Hate It Here”
New Jersey; known for Frank Sinatra, beach towns and, of course, hidden gem deathcore bands like Suffer Through and Ocean of Illusions.
Known for a particularly dynamic equilibrium that results in My-Space inspired, in-your-face and unhinged craziness, that’s just put together enough to be cohesive, Suffer Through are back at it. And this time, they brought reinforcements. Zachary Howard of Ocean of Illusions lended his vocals on the track, giving some extra flavor on top of the absolute meal we’ve been served.
Not only does Suffer Through deliver a stellar performance on this track, they do so while highlighting thoughts about the current political climate, as well as those at the top of the food chain.
The song begins with some chatter to set the mood, followed by thunderous drums and a searing scream to capture your attention. One of my favorite lines in the whole song is “They’ll tax the f******* air.” I feel that it perfectly sums up the overall attitude of the track. The drums around 1:45 of the song are a nice fill that adds some dynamic change to the song.
Suffer Through has been working tremendously hard, and have seemed to find their footing with their releases, my favorite being ISS. Suffer Through continues to put their feet on the group and strive for improvement.
Twin Rova Get “Under My Skin” (But I’m OK With It): A Song Review
With so much alternative music in the public domain, it's easy to become satiated; the extraordinary becomes a little mundane. But, luckily for us, Twin Rova has just the remedy. A welcomed addition to any spooky playlist.
"Under My Skin” takes the listener on a mind bending trip to a far off place where heaviness meets poppy, punk-like tuneage. It gives a nice little reprieve from the woes of the season and puts a little pep in your step; a chill down your spine; perhaps even a headnod or a stank face.
Twin Rova has been dishing out killer tracks since their inception in 2021, in the heat of Orlando, FL. But they’ve made the scene ever hotter with songs like ‘Daylight’, ‘Stormfall’, and, most recently, ‘Tidal Waves’. Now they are back again “Under My Skin”, a song good enough to raise the writer of Frankenstein herself (Mary, babe, you’d love this one).
The song was written in Guitar Town, aka Nashville TN, with the help of Dark Divine/408/Magnolia Park veteran producer Andy Karpovck and Telltale vocalist John Carteret. According to the band, they wanted to put something together that wasn’t just the standard lost love track, and I believe they accomplished that and more. The song includes themes of being misunderstood, much like Shelley’s monster himself.
The track is well done overall; a kick-ass instrumental, meaningful and catchy lyrics, along with a corresponding music video to boot. Twin Rova had enticed me; bewitched me; captured my heart. Well done, boys.
In terms of shows, the band has a 3 day run in Florida November (7th - 9th), as well as a New Years Eve show with nu metal giants Sevendust at the House of Blues in Orlando, FL. Tickets available HERE.
The Hunt: Gorepig, Traitors’ Latest
That feeling of being chased. Like you’re about to trip over your own feet but you have to keep going because of course you do. But endless, spinning thoughts buzz around your head; what if I fall? What if they’re mad at me? What if they don’t like me? Am I too much?
Almost like being poached, stalked, hounded, or, in Gorepig’s case, hunted.
The Hog is rearing its head at us again, with a heavy tune to incite that primal, ‘I’m being followed” feeling that anxiety can give. Cody Lambert, vocalist, opens up about his anxiety within the words of the song, and if you've ever felt like this, you'll understand.
The song opens up in an eerie tone that features some chirping insects, really feeding into that 'alone in the woods and there's something here with me' vibe. The drums and guitar crash in, and we're met with a symphony of hefty riffs, pounding beats and thunderous vocals. The production quality continues to impress and excite me, as well as the forceful hostility of Gorepig's music.
And let us not forget the Moose King himself, Tyler Shelton, absolutely giving 110% and then some. The band mentioned that as fans, "it means a lot to have a collaboration with him." Having seen Traitors in concert, I concur.
Though the band does not have upcoming shows to announce at this time, you can bet 2027 will be filled with Gorepig’s signature aggressive, earsplitting insanity fans have come to know and love. And perhaps more new music is headed our way (an early Christmas present perhaps? Only time will tell.)
Featherweight, Remnants Hit the Road
Who doesn’t love a nice little fall tour to add some spice to their holiday season?
The guys in Featherweight AND Remnants are hitting the road yet again to bring heavy tunes and dance moves to the masses.
Featherweight, an Ohio based metalcore outfit who has brought emotion-driven tracks like ‘What It’s Like to Change” and ‘In Ember’, is once again gracing the stage, ready to scream along with you. Standing out with their technical ability and passionately charged lyrics, Featherweight is definitely a band to see.
Remnants is an Indianapolis ensemble that made me shed one single tear with ‘Further Below’ (only one though, gangstas don’t cry). As well as this, their work on ‘Bend//Break” was superb, and proved that these boys can in fact hang with the best of them.
These two bands on the same bill are bound to bring about that lovely balance of heavy, visceral, and soul-stirring performance that fans all over have come to love. Core Collective bands, while known for their dedication and musical prowess, know how to party, and there are several shindigs that just might be coming to a city near you. Dates are listed below, as are ways you can follow and support these gents.
https://featherweightmusic.com/home | https://remnantsband.com/
Under “PRESSURE”: Left On Red’s Latest
Some songs make you nod along; this one makes you wonder how much the floor can take.
Left on Red is like a nice wine; they just keep getting better with time. The second I heard “PRESSURE” (yes, you have to put it in all caps everytime), I was immediately met with a gravely, almost static filled voice and swinging, perfectly executed instrumental that demands you listen completely. The lyrics begin to pour in, and, frankly, if you aren’t moving by now you should get yourself checked out. The flow of the song weaves in and out, and then you are met with the words that will open any pit: “duh duh dun na na duh dun, Let’s go girls.” Thank you, Shania Twain.
The Missouri band has released other singles this year such as “Bitter”, “Are You That Somebody” and “Traumadol”, each with their own unique blend of sounds that result in a gratifying experience for the audience. What stands out to me about “PRESSURE” is the use of placement to create ambiance, the intention and care backing each moment in the song, and the aggressive, predatory energy that is present within the lyrics and manner with which the instruments produce their sounds. They have once again proven that they know what they’re doing, and have found quite the rhythm with their producer. Whatever y'all are doing, don’t change a thing.
Listen to “PRESSURE” here
What Lurks Below: A Review
Leviathan? Kraken? Sirens? Insurmountable Debt?
Who really knows what, or even who, lurks below us? There's certainly something in the water, and The Art of Deception is spilling a tale of sickening, diabolical proportions.
Hailing from PA, The Art of Deception has been cooking with gas on this one. The result is a sizzling, dynamic track that immediately impressed me and gathered my attention.
The song opens with a boom, comparable to a thunderclap, followed by an almost techno-synth beat that bleeds into the heavier, melodic playing from the band. I really like the drums at 0:58; it shows some creative license from the band that is pleasing to the ear and a fun addition to the song (and it comes back later on). There are energetic, compelling shifts in the drums later that keep you guessing as far as where the track is going, and make it an interesting listening experience. Travis Stine is a force to be reckoned with behind the kit. You feel as though you’re in the depths with whatever creature is swimming around in the muck, and there’s no telling if you’ll make it out or not. After all, we all have to sink or swim eventually.
Something else that stood out was the ferocity with which Nolan Mateer commands the mic. There's an undeniable occupancy behind his delivery, one that gives the track an emotional weight and sense of urgency that is staggering. And in just three minutes.
Well constructed, well written, and, well, a banger. The Art of Deception has once again delivered a balanced track that has the meaningful lyrical content and top tier instrumental that fans can latch on to and never let go.
Stream What Lurks Below here, and follow The Art of Deception on all their socials